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Beekeeping is a journey of many roads. This is a manuscript for beekeepers wishing to learn how to raise their own, local queens...but just cannot bring themselves to figure out how to graft. The NICOT queen rearing system explains how the average beekeeper implements its unique design and overcomes the distinctive hurdles to raising local queens without grafting. The Nicot system is not the only non-grafting approach, but it works. This manuscript shares the journey of one beekeeper who taught himself how to raise his own queen honey bees. Grant F. C. Gillard, a small-scale commercial beekeeper since 1981, shares his insights and philosophies, his field-tested ideas and sustainable methods on how to hang tough, to persevere in the face of adversity, to run and not grow weary, to walk and not faint. Grant often tells people, “The Nicot kit is not the perfect method to raise queens; but neither is it the only way. It is what it is, but it becomes what we make it. It holds tremendous potential for the average beekeeper to take control of their genetics and shape, even reshape the destiny of their apiaries.” In essence, that is Grant’s purpose for raising his own queens, particularly in an era of “natural” beekeeping, managing our colonies with reduced and minimalistic treatments, and breeding our own locally-adapted queens from survivor stock. Grant wanted better queens than he was buying from the large, commercial queen producers in the south. He felt the Nicot system created the best opportunities, and lowered the bar for those beekeepers who didn’t know how to graft. Grant adds, “My journey raising my own queens covers a number of seasons, more than I can count at this point. I readily admit I’m not the sharpest crayon in the box but I’ve learned to keep on coloring, even if most of my work can’t stay within the lines.” There’s an old bit of advice that suggests real education is learning from our mistakes. Yet the best, most efficient education learns from the mistakes of others, and more so, it doesn’t take near as long and it’s generally not quite as expensive. Grant readily admits he's made many mistakes, especially in queen rearing. Grant hopes to accelerate your success so you don’t have to make the same mistakes he made and stumble over the same obstacles he incurred. Again, Grant adds, “I unswervingly believe the queen to be the heart and soul of the colony, and without a young, productive queen, everything, including a colony’s health and future, is at stake, as I mentioned in the preface.” When a honey bee colony struggles and wallows in malaise, for any reason, not just a poor queen, it is not uncommon to find beekeepers also experiencing frustration and losing heart. When beekeepers throw in the towel, especially on a larger scale, there is more at risk than the honey we enjoy in our green tea or the simmering anger of our spouse wondering why we entered such a challenging hobby at such a challenging juncture in time (translation: how come you haven’t harvested any honey in three years and why are we buying new bees to replace those old that died this past winter?) The absence of adequate pollinators affects everyone who irresponsibly grumbles with their mouths additionally one-third full of food humbly provided for them, courtesy of the tireless, under-appreciated honey bee. The benchmark of queen rearing is grafting, the mandatory technique that winnows out the potentials from the professionals. I won’t argue against grafting even though I don’t practice this method, but I firmly believe alternative queen rearing methods offer equally satisfactory options with similarly acceptable results. With the Nicot system, anyone can raise their own queens and not worry about grafting, or even losing any sleep over wondering how they could possibly even learn how to graft.

• Sales Rank: #74815 in Books
• Published on: 2013-11-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .72" w x 6.00" l, .95 pounds
• Binding: Paperback
• 318 pages

About the Author
Grant F. C. Gillard began keeping bees on the family farm in Glenville, Minnesota, after graduating from Iowa State University in Ames, Iowa, with a degree in Agriculture in 1981. While in his sophomore year, seeking the easiest class possible to elevate his battered grade-point average, Grant ignored his advisor’s derision and enrolled in a seemingly innocuous class entitled, “Entomology 222: Beekeeping,” taught by a retired high school biology teacher and adjunct professor, Richard Trump. Without grasping the potential blessings and lifelong implications this providential twist presented to his academic life, Grant was hopelessly inoculated with the desire to keep honey bees, which would later include visions of commercial aspirations. Grant was active during his high school years at the First Presbyterian Church in Albert Lea, Minnesota, where he was baptized and ordained as a ruling elder. Returning to his home church after his college graduation, Grant’s church members, along with the Rev. Elmer Bates, convinced him he’d make a better pastor than a farmer. Their encouragement spun his life in yet another improbable direction. In 1987, Grant graduated from Fuller Theological Seminary in Pasadena, California, with a Master’s of Divinity degree. It was there he met another Presbyterian student, Kansas City native, Nancy Farris. They married in 1986 during their senior year at Fuller. He later obtained a Doctor of Ministry degree from Aquinas Institute of Theology in St. Louis, Missouri, in 2000. He’s only served two congregations thus far in his twenty-six years of ordained ministry. With his newlywed wife, the two served as co-associate pastors at the White Clay Creek Presbyterian Church in Newark, Delaware. With a desire for more opportunities to preach and teach, Grant moved his young family to Jackson, Missouri in 1993 where he answered a call to serve as the pastor of the First Presbyterian Church PC(USA). His active involvement over the past twenty years redefined his ministry as more of a community chaplain. Grant combines his passion for beekeeping with his pastoral duties at the church. Grant currently operates around 200 hives and produces honey for local retail sales and farmer’s markets in southeast Missouri. He also produces nucs, removes swarms and has published several other publications on the topics of beekeeping and personal growth.

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PDF Download Background Noise, Second Edition: Perspectives on Sound ArtBy Brandon LaBelle

PDF Download Background Noise, Second Edition: Perspectives on Sound ArtBy Brandon LaBelle

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Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art.

At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible.

This second expanded edition includes new chapter about the future of sound art, revisions to the text as well as a new preface by Brandon LaBelle. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies, and media theory, Background Noise makes the case that sound art should be at the core of contemporary culture.

• Sales Rank: #1038348 in Books
• Published on: 2015-01-29
• Released on: 2015-01-29
• Original language: English
• Number of items: 1
• Dimensions: 9.04" h x 1.01" w x 5.94" l, 1.01 pounds
• Binding: Paperback
• 376 pages

Review
The rise of a prominent auditory culture, as seen in the recent plethora of art exhibitions on sound art, in conjunction with academic programs dedicated to "aural culture", sonic art, and auditory issues now emerging, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Written by The Wire's contributor Brandon Labelle, Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals-the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework. The Wire 2010 Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. Dailywatch.com Reading Background Noise for the first time introduced me to the world of sound art, to its rich history, its incredible variety of concrete works, its overview of artists working in the field, and its discourses. It taught me how to think about sound in relation to space instead of time. Now, some seven years later, Background Noise is still one of my most important sources. It is a must-read for anyone interested in auditory culture and sound art. Marcel Cobussen is editor-in-chief of The Journal of Sonic Studies and co-editor of The Routledge Sounding Art Companion (2015) There are stones here. Stones gathered with great shrewdness by Brandon LaBelle from the broad shore of relational artistic practice; each carries the weight of its own historical significance; each is perfectly shaped to deliver its conceptual impact; each is thrown outwards in just the right sequence and with just the right trajectory to set the ripples running, producing patterns that continue to inspire the reader long, long after the momentum of the book has come to rest. Background Noise is the very best of books: as reverberant as the phenomena it so beautifully articulates. Angus Carlyle, Professor of Sound and Landscape, University of the Arts London, UK

About the Author

Brandon LaBelle is an artist and writer working with sound culture and locational identities. His previous book, Background Noise: Perspectives on Sound Art, was published in 2006 by Bloomsbury Academic. He is the editor of Errant Bodies Press and organizer of the related Surface Tension project. He is currently Professor at the National Academy of the Arts in Bergen, Norway.

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Free Ebook Cologne (Germany) 1:23,000 Pocket Street Map, GPS-compatible

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Cologne Köln (Germany) 1:23,000 Pocket Street Map FALK This practical pocket-size 18 x 10 cm (7 x 4 in) plan turns into a surprisingly large sheet when unfolded, size 99 x 70 cm (39 x 27.5 in). It covers Cologne, northern part of Hürth and a number of other communities. Included are insets of the historical city centre at 1:10,000, a map of the environs at 1:110,000 (showing the location of the airport) and the public transport system diagram. Street name index with post codes is on reverse. The map is GPS callibrated, high quality German cartography, map legend includes English.

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Product details

Map: 1 pages

Publisher: FALK (December 20, 2015)

Language: English

ASIN: B005M9JQFY

Average Customer Review:

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Amazon Best Sellers Rank:

#4,796,406 in Books (See Top 100 in Books)

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Ebook Free Studying Law. Simon Askey and Ian McLeod (Palgrave Study Skills)By Simon Askey

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Concise and engaging, this book provides students of law with the fundamental knowledge, skills and techniques required to succeed on their course. Essential reading for both specialists and students on inter-disciplinary courses, the new edition incorporates changes resulting from the Treaty of Lisbon and the creation of the Supreme Court.

• Sales Rank: #948536 in Books
• Brand: Brand: Palgrave MacMillan
• Published on: 2011-07-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .55" w x 5.51" l, .0 pounds
• Binding: Paperback
• 248 pages

Features

• Used Book in Good Condition

About the Author
SIMON ASKEY is Deputy Director and Head of the Undergraduate Laws Programme within the University of London's International Programme, UK. He is currently a Visiting Lecturer in the Law of Torts at both Hong Kong University and Hong Kong Polytechnic University, China. IAN MCLEOD is Visiting Professor of Law at the University of Stirling, UK. He is the author of Legal Method, Legal Theory and Key Concepts in Law, all published by Palgrave Macmillan.

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